What is the personality type of François Truffaut? Which MBTI personality type best fits? Personality type for François Truffaut from Film Directors and what is the personality traits.
François Truffaut personality type is INFP, though he may pass as ENFP (see below). He is a highly emotional and emotional person, and is very sensitive and passionate about certain issues. This makes him very impressionable, and can make him difficult to deal with sometimes. At times this can make him appear very erratic and temperamental, but he is usually pretty sweet. He is known to be somewhat of a romantic, and is very passionate about certain subjects. He can be somewhat flighty at times, but he usually faces his problems head on.
François Truffaut doesn’t have a definite career goal, but has been known to have been interested in acting and filmmaking. He has a strong desire to come up with a good story, and he is very intelligent. He is also quite articulate and well spoken, and is known to have a great understanding of the world around him.
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Conclusion
François Truffaut is a very interesting person. Though he has been in many high profile movies, the persona he puts forth when he is in public is quite different from the real Truffaut.
François Roland Truffaut (French: [fʁɑ̃.swa ʁɔ.lɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. In a film career lasting over a quarter of a century, he remains an icon of the French film industry, having worked on over 25 films. Truffaut's film The 400 Blows came to be a defining film of the French New Wave movement, and was followed by four sequels, Antoine et Colette, Stolen Kisses, Bed and Board, and Love on the Run, between 1958 and 1979.
Truffaut's 1973 film Day for Night earned him critical acclaim and several accolades, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include Shoot the Piano Player (1960), Jules and Jim (1961), The Soft Skin (1964), The Wild Child (1970), Two English Girls (1971), The Last Metro (1980), and The Woman Next Door (1981).