Krzysztof Kieślowski Personality Type, MBTI
What is the personality type of Krzysztof Kieślowski? Which MBTI personality type best fits? Personality type for Krzysztof Kieślowski from Film Directors and what is the personality traits.
INFJ (5w4)
Krzysztof Kieślowski personality type is INFJ, and it’s not hard to see why. He’s introspective and passionate, and he has a quiet confidence and a quiet smile that blends in with the background.
The INFJ personality type is an introvert, and it’s easy to imagine that they love solitude and don’t particularly like having large groups of people around them. It’s not hard to see how someone like this would enjoy living in a small apartment and taking meals in their apartment by themselves.
And yet, the INFJ personality type also enjoys spending hours in a recording studio or writing in a room by themselves. They’re quiet, but they’re curious and creative and they naturally want to create things.
Here we have a very interesting conflict between the INFJ personality type and their introverted nature, and it’s easy to imagine that the INFJ personality type would be happiest in a place that was quiet and tranquil.
However, it’s also easy to imagine that they would be happiest in the middle of a city where they could meet a lot of people and get a lot of ideas about what to do next.
Krzysztof Kieślowski (Polish pronunciation: [ˈkʂɨʂtɔf kʲɛɕˈlɔfskʲi] 27 June 1941 – 13 March 1996) was a Polish film director and screenwriter.
He is known internationally for Dekalog (1989), The Double Life of Veronique (1991), and the Three Colors trilogy (1993–1994). Kieślowski received numerous awards during his career, including the Cannes Film Festival Jury Prize (1988), FIPRESCI Prize (1988, 1991), and Prize of the Ecumenical Jury (1991); the Venice Film Festival FIPRESCI Prize (1989), Golden Lion (1993), and OCIC Award (1993); and the Berlin International Film Festival Silver Bear (1994). In 1995, he received Academy Award nominations for Best Director and Best Writing.
In 2002, Kieślowski was listed at number two on the British Film Institute's Sight & Sound list of the top ten film directors of "modern times".
