What is the personality type of Wojciech Smarzowski? Which MBTI personality type best fits? Personality type for Wojciech Smarzowski from Film Directors and what is the personality traits.
Wojciech Smarzowski personality type is ENTP, which makes sense for this character, since he's an engineer who makes all kinds of inventions. He's also artistic, but that's kind of his thing. His personality type seems to match his skills to a tee.
He is the only character in the game to have a unique weapon, which is a cannon. It can be found in the level The Island. It's not the only cannon in the game, though, since there are two in the level The Land.
He is the only character to have a unique title in the game.
He is the only character to have a unique piece of clothing in the game, which is his special red bandana.
It is hinted that he may have romantic feelings for Maya when he says "But I'll come back again someday... someday..." when talking to her after being rescued by her in the level The Land. Not much is known about this, though.
He is the only playable character to have a different voice actor in each of the game's four languages, two of whom were also voiced in the Japanese version.
Wojciech Smarzowski is a Polish screenwriter and director. He studied filmmaking at the Jagiellonian University and the National Film School in Łódź. His 2004 film, The Wedding earned special jury mention at the Karlovy Vary International Film Festival in 2005. He began his film career as a video camera operator. Smarzowski's film Róża gained the Polish Film Award in seven categories in 2011. His film Traffic Department tells the story of seven policemen from Warsaw - colleagues and good friends whose lives change after one of them dies in mysterious circumstances. It competed in the main competition section of the 35th Moscow International Film Festival. Kler was described by Anne Applebaum in The Washington Post as "a searing, painful film that condemns the Polish Catholic Church as corrupt and hypocritical". In its first weekend after opening, it broke box-office records in Poland and, after three weeks had been seen by 3¹⁄₂ million people, about 10% of Poland's population.