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    Beth Carvalho Personality Type, MBTI

    What is the personality type of Beth Carvalho? Which MBTI personality type best fits? Personality type for Beth Carvalho from Brazil Musicians and what is the personality traits.

    Beth Carvalho
    ENFJ

    ENFJ (7w6)

    Beth Carvalho personality type is ENFJ, i.e. she is highly extraverted, enthusiastic, dynamic, and charismatic. She enjoys people and has the ability to talk about an enormous range of subjects at top speed. Beth Carvalho is also very sociable. She enjoys meeting new people and is able to make friends easily. She is able to relate to other people’s emotions and experiences.

    Beth Carvalho’s weakness is her inability to focus on a specific subject for too long. She is easily distracted, which means that she is liable to lose interest in a certain topic. This can be quite frustrating for Beth because she feels that she could have contributed to the conversation, yet she does not remember anything that was said.

    Beth Carvalho’s type of extraverted Intuition is one of the most important traits of her personality type. This means that she is able to notice things that other people might miss.

    3. What is Beth Carvalho’s relationship status?

    Like all ENFPs, Beth Carvalho has no interest in getting married or having children. She feels that she may be able to help other people instead of bringing children into the world.

    Elizabeth Santos Leal de Carvalho (May 5, 1946 – April 30, 2019), known professionally as Beth Carvalho, was a Brazilian samba singer, guitarist, cavaquinist and composer. Carvalho is a very important artist in the history of samba, as she celebrated and brought the spotlight to the work of legendary composers such as Cartola, Nelson Cavaquinho & Guilherme de Brito when they weren't receiving the attention they deserved. Almost all of her records have songs by these composers, among other legendary sambistas such as Nelson Sargento and the Old Guard of Portela. Her samba school was Mangueira, but that didn't stop her from recording dozens of songs from composers of Portela, the other great traditional samba school in Rio. Later, in the late 1970s and early 80s, Beth helped bring to the public the work of other rising pagode artists from Cacique de Ramos, such as Almir Guineto, Jorge Aragão and the Fundo de Quintal group. Then, in 1983, she introduced Zeca Pagodinho.

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