What is the personality type of Billy Blanco? Which MBTI personality type best fits? Personality type for Billy Blanco from Brazil Musicians and what is the personality traits.
Billy Blanco personality type is ENTP, the Intuitive Thinking Perceiver. This is a rare personality type that is usually reserved for those that are interested in the big picture on a grand scale, have a more theoretical approach to the world, and are more interested in making things happen than being static.
To be an ENTJ, you can't just be a planner. You need to show the ability to take the actual world and make it work for you.
ENTJs are people who are always on the move. They are always trying to find new ways to make things happen, new ways to improve upon things. They are not for the lazy or for those that want to be stagnant.
ENTJ personalities are typically associated with entrepreneurs, gamblers, leaders of men, consultants, and business owners of all kinds.
ENTPs are one of the rarest personality types of all. Which is why it's so interesting to see how many people they manage. ENTJs are the most common type of ENTJ personality.
ENTJ Personalities
ENTJs are very decisive and analytical people. They always want to do things the most efficient way possible so that they can get back up on their feet as soon as they fall down.
William Blanco Abrunhosa Trindade, better known as Billy Blanco (Belém, May 8, 1924 - Rio de Janeiro, July 8, 2011), was a Brazilian architect, musician, composer and writer. In the 1950s and 1960s his hits were recorded by Dick Farney, Lúcio Alves, João Gilberto, Dolores Duran, Sílvio Caldas, Nora Ney, Jamelão, Elizeth Cardoso, Dóris Monteiro, Os Cariocas, Pery Ribeiro, Miltinho, Elis Regina, Miriam Batucada and Hebe Camargo. His first success was "Estatutos da Gafieira", in the voice of Inezita Barroso, recorded by RCA Victor in 1954. Among his partners were Baden Powell, in "Samba Triste", Antonio Carlos "Tom" Jobim, in "Sinfonia do Rio de Janeiro" (popular suite in samba rhythm, from 1960) and João Gilberto, in "Descendo o Morro" and "A Montanha / O Morro ", where the two doctors of the asphalt pay homage to the samba of simple people and favela.