Moraes Moreira Personality Type, MBTI
What is the personality type of Moraes Moreira? Which MBTI personality type best fits? Personality type for Moraes Moreira from Brazil Musicians and what is the personality traits.
ENTP (6w7)
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Moraes Moreira personality type is ENTP, with a preference for the sensation-intuition function.
Antônio Carlos Moraes Pires (July 8, 1947 – April 13, 2020), better known as Moraes Moreira, was a Brazilian guitar player and singer. During the 1970s he played guitar and sang in the band Os Novos Baianos. After playing in Os Novos Baianos, Moreira embarked on a solo career where he recorded 29 albums. Moreira was involved in recording 40 full-length albums between Os Novos Baianos, Trio Elétrico Dodô e Osmar, and two more albums with guitarist Pepeu Gomes. Moreira was considered one of the most versatile composers of Brazil, mixing the genres of rock, samba, choro, frevo, baião, and classical. Affiliations: João Gilberto. Jorge Ben Jor. Rita Lee. Seu Jorge. Tom Zé. Júpiter Maçã. Caetano Veloso. Roberto Carlos. Gilberto Gil. Jorge Amado. Os Mutantes. Rogério Duprat. Baby do Brasil. Ivete Sangalo. Zeca Baleiro. Ney Matogrosso. Belchior.
