Janet Leigh Personality Type, MBTI
What is the personality type of Janet Leigh? Which MBTI personality type best fits? Personality type for Janet Leigh from People Of Classic Hollywood and what is the personality traits.
ESFP (7w6)
Janet Leigh personality type is ESFP, and Robert's is ENFP. The ESFP and ENFP personality types are the two most common in the United States. Janet and Robert actually share a relatively common lifestyle. They both like to be carefree and spontaneous. However, the differences between their personalities make them unique individuals. Janet likes to be spontaneous and enjoy the moment. She also has a much more playful personality than Robert does.
Robert is much more reserved and focused on the long-term benefits of his actions. He analyzes how things will work out in the long run before he takes action. He does not like to take chances and would rather do things the safe and expected way.
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Both Janet and Robert prefer to maintain a healthy lifestyle and try not to eat too much or drink too much alcohol. They prefer to exercise regularly and eat a healthy diet that includes lots of fruits, vegetables, and whole grains.
Robert has a very strong work ethic, while Janet is a bit more laid back. Robert can get really worked up about things, but he is very good at controlling his emotions when he needs to.
Janet Leigh (born Jeanette Helen Morrison; July 6, 1927 – October 3, 2004) was an American actress, singer, dancer, and author. Raised in Stockton, California, by working-class parents, Leigh was discovered at 18 by actress Norma Shearer, who helped her secure a contract with Metro-Goldwyn-Mayer. Leigh had her first formal foray into acting appearing in radio programs before making her film debut in The Romance of Rosy Ridge (1947). Early in her career, she appeared in several popular films for MGM which spanned a wide variety of genres, including Act of Violence (1948), Little Women (1949), Angels in the Outfield (1951), Scaramouche (1952), The Naked Spur (1953), and Living It Up (1954). Leigh played mostly dramatic roles during the latter half of the 1950s, in such films as Safari (1956) and Orson Welles's film noir Touch of Evil (1958), but achieved her most lasting recognition as the doomed Marion Crane in Alfred Hitchcock's Psycho (1960).
