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    Henry Fox Talbot Personality Type, MBTI

    What is the personality type of Henry Fox Talbot? Which MBTI personality type best fits? Personality type for Henry Fox Talbot from Engineers & Inventors and what is the personality traits.

    Henry Fox Talbot
    INTJ

    INTJ (XwX)

    Henry Fox Talbot personality type is INTJ, the most common type among those who are brilliant and creative. While INTJs are rare, the great Leonardo Da Vinci and the father of modern photography, Henry Fox Talbot himself, were INTJs.

    The INTJ personality type is an interesting one, since it is the rarest of all 16 personality types, comprising only 1 to 2 percent of the population. The INTJ is one of two extremely rare personality types that are all male.

    While INTJs are rare, they make up a large part of the population who are creative and brilliant. This article is designed to serve as an introduction to the INTJ personality type.

    For INTJs, their capabilities are often underestimated by the world around them. This has resulted in many INTJs being mistreated or misunderstood by others because of their unique cognitive style.

    INTJs often have a hard time accepting that others view them as being “different” or “strange” because of their unique cognitive style. Their own ability to understand their thoughts and ideas can sometimes be mistaken for arrogance or conceit.

    William Henry Fox Talbot FRS FRSE FRAS (/ˈtɔːlbət/; 11 February 1800 – 17 September 1877) was an English scientist, inventor and photography pioneer who invented the salted paper and calotype processes, precursors to photographic processes of the later 19th and 20th centuries. His work, in the 1840s on photomechanical reproduction, led to the creation of the photoglyphic engraving process, the precursor to photogravure. He was the holder of a controversial patent which affected the early development of commercial photography in Britain. He was also a noted photographer who contributed to the development of photography as an artistic medium. He published The Pencil of Nature (1844–46), which was illustrated with original salted paper prints from his calotype negatives, and made some important early photographs of Oxford, Paris, Reading, and York.

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