Yamandu Costa Personality Type, MBTI
What is the personality type of Yamandu Costa? Which MBTI personality type best fits? Personality type for Yamandu Costa from Brazil Musicians and what is the personality traits.
ISFP (1w9)
Yamandu Costa personality type is ISFP, an introverted sensing with the best interest of others in mind. In his case, that means a deep concern for the welfare of his people.
A rarer type, ISFPs are often thought of as being reserved and a bit shy. Costa's mental health struggles often land him in a position where he needs to be the strong one for his people.
Unlike ISFPs, Costa bristles against being labeled as shy or reserved or any other adjective so closely aligned to perceiving.
"I am not a reserved guy," he said. "It's just that I have a different way of thinking. I don't know how to express myself the same way as the other guys. I don't know how much I should express myself because I don't want others to misunderstand me."
Usually, Costa simply says what he thinks, a trait that's a part of his ISFP side. As a leadership role, however, he sometimes struggles with trying to take too much leadership on himself.
"I don't know how to take the weight off my shoulders," he said. "I feel like, if I do something wrong, I feel like everyone's going to blame me.
Yamandu Costa (born January 24, 1980 in Passo Fundo), sometimes spelled Yamandú, is a Brazilian guitarist and composer. His main instrument is the Brazilian seven-stringed classical guitar.
Costa began to study guitar at age seven with his father, Algacir Costa, leader of the group Os Fronteiriços (The Frontiersmen) and mastered the instrument after studying with Lúcio Yanel, an Argentine virtuoso who lived in Brazil. At age fifteen, Costa began to study southern Brazilian folk music, as well as the music of Argentina and Uruguay.
Influenced by the music of Radamés Gnattali, he began to study the music of other Brazilians, such as Baden Powell de Aquino, Tom Jobim and Raphael Rabello.
At age seventeen he played in São Paulo for the first time at the Cultural Circuit Bank of Brazil; the concert was produced by Study Tone Brazil.
