Jânio Quadros Personality Type, MBTI
What is the personality type of Jânio Quadros? Which MBTI personality type best fits? Personality type for Jânio Quadros from Historical Figures 1900s and what is the personality traits.
ENTP (6w5)
Jânio Quadros personality type is ENTP, which means he is an ENTJ.
Jânio Quadros's group is the Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire Entire ENTJ group.
Jânio Quadros's life purpose is to fight for the rights of the Brazilian people, to make his country a modern, developed nation, and to create a more peaceful world.
Jânio Quadros's work is to be a great lawyer for his country, to fight for the rights of the Brazilian people. He must fight for the people of his country to have a better quality of life.
Jânio Quadros's work theme is the ENTJ's "Do It Yourself" theme of pushing the limits of the system. The ENTJ does not push things so much as they do it themselves.
Jânio da Silva Quadros (Portuguese pronunciation: [ˈʒɐ̃niu dɐ ˈsiwvɐ ˈkwadɾus] (January 25, 1917 – February 16, 1992) was a Brazilian lawyer and politician who served as 22nd President of Brazil from January 31 to August 25, 1961, when he resigned from office. He also served as the 24th and 36th mayor of São Paulo, and the 18th governor of the state of São Paulo. Quadros was known for his populist style of government, honesty, and his eccentric behavior. As president, he focused on economic reform and attempted to root out corruption. He also pursued an independent foreign policy, trying to balance relations between the United States and the Eastern Bloc. Although he was elected by a huge margin, his term was marked by uncertainty and political instability culminating in his resignation. This unexpected move caused national chaos, with the presidency being assumed by João Goulart.
