Highway Patrolman Personality Type, MBTI
What is the personality type of Highway Patrolman? Which MBTI personality type best fits? Personality type for Highway Patrolman from Fear & Loathing In Las Vegas 1998 and what is the personality traits.
ESTP (6w7)
Highway Patrolman personality type is ESTP,” says Grover. “They are very outgoing, very energetic, and they like to be the center of attention. They are very creative, and they like to be the leader of the pack. They like to do things that are different.”
I asked Grover about the relationship between ESTPs and their peers. “They can be very outgoing and very competitive,” he says. “They like the limelight, the spotlight, and they like to be on top of things. They like to be the fastest, the best, the most popular, the one everyone likes. They are also very creative. They like to use their energy to create something new, something different.”
I asked Grover whether ESTPs are better than other personality types at driving cars. “They are not good at driving cars,” he says bluntly. “They are very impulsive, they are very creative, and they don’t think ahead. There is no way they could drive a car.”
I asked Grover how ESTPs deal with their inferior driving skills. “They don’t care about it,” he said.
"Highway Patrolman" is a song written and recorded by Bruce Springsteen and was first released as the fifth track on his 1982 album Nebraska. The song tells the story of Joe Roberts, the highway patrolman of the title from whose viewpoint the song is written – and his brother, Franky, and is set in the 1960s. Franky is portrayed as unruly and frequently causing and encountering trouble, while Joe is the more mature, sensible brother who always comes to his aid. In 1965, Franky joins the United States Army, while Joe takes a farm deferment and marries a girl called Maria. Within three years however, falling wheat prices cause Joe to leave the farm and take a job as a highway patrolman. Meanwhile, in 1968, Franky leaves the army and returns home. One night, Joe receives a call and visits a bar where a boy has been attacked and appears to be in a serious condition, with a witness identifying his attacker as Franky, who has fled.
