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    Afro-Cuban jazz Personality Type, MBTI

    What is the personality type of Afro-Cuban jazz? Which MBTI personality type best fits? Personality type for Afro-Cuban jazz from Music Genres and what is the personality traits.

    Afro-Cuban jazz
    ENFJ

    ENFJ (5w4)

    Afro-Cuban jazz personality type is ENFJ, the Diplomat.

    ENFJs are natural-born leaders in all aspects of life, whether it be the family unit, religious or political organization. They are charismatic, warm and very much in touch with their own emotions. ENFJs are also cunning and insightful, and can find solutions to problems well before others can. They are also very much in touch with the feelings of others. ENFJs are very good at reading people, and can often read well into their future in order to prepare for problems.

    Although ENFJs do not like conflict, they are often called upon when there is a problem that cannot be solved in any other way. They are usually able to defuse a situation quite easily before it can turn into an argument or confrontation. They are good at understanding the underlying intentions of others, and this is usually where they find the solutions to their own problems.

    ENFJs are usually good at building strong relationships with people. They are very much in touch with their emotions, and can recognize when someone is trying to play them. They are usually very good at making emotional connections with others, and this is where their ability to read people comes into play.

    Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban jazz emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as "Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuban. :59 Kenny Dorham In the early 1970s, the Orquesta Cubana de Música Moderna and later Irakere brought Afro-Cuban jazz into the Cuban music scene, influencing styles such as songo.

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