Taj Mahal Personality Type, MBTI
What is the personality type of Taj Mahal? Which MBTI personality type best fits? Personality type for Taj Mahal from Places Of Significance and what is the personality traits.
ENFJ (9w1)
Taj Mahal personality type is ENFJ, which means “The Inspirer”.
The ENFJ personality is a most fascinating personality type.
ENFJs can be one of the most complex personality types in the world, because they have so many facets to their personality.
The most mild-mannered personality type in the world, the ENFJ personality type is one that tends to make the most quiet, reserved, and introverted person in the world.
These are the people who are known for their ability to make people feel like they are the center of the universe.
And yet, ENFJs can also be one of the most ruthless and powerful personalities out there, if they let themselves get involved in something.
ENFJs are born to change the world, but they don’t like to take credit for their accomplishments.
ENFJ personalities are often very shy and reserved, and while they may appear to be quiet and unassuming, they can get very loud and outspoken when they want to.
ENFJs are the only personality type that tend to be more introspective than extroverted.
The Taj Mahal, is an ivory-white marble mausoleum on the right bank of the river Yamuna in the Indian city of Agra. It was commissioned in 1632 by the Mughal emperor Shah Jahan to house the tomb of his favourite wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a 17-hectare complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall. Construction of the mausoleum was essentially completed in 1643, but work continued on other phases of the project for another 10 years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million rupees, which in 2020 would be approximately 70 billion rupees. The construction project employed some 20,000 artisans under the guidance of a board of architects led by the court architect to the emperor, Ustad Ahmad Lahauri.
