Don Rodrigo Personality Type, MBTI
What is the personality type of Don Rodrigo? Which MBTI personality type best fits? Personality type for Don Rodrigo from The Betrothed I Promessi Sposi and what is the personality traits.
ESTP (8w7)
Don Rodrigo personality type is ESTJ, the Executive, Strict, Thinking, Judging.
An ESTJ is an efficient leader who follows through on plans. They are dedicated to their work and may never leave their job until they are sure it is done properly. The ESTJ has a logical approach to their tasks, which they employ to make sure all their responsibilities are handled correctly. They are very committed to their work and will not compromise their standards for anyone. They are extremely efficient with their schedules and will work hard to complete tasks on time. The ESTJ also enjoys the focus of work and will find satisfaction in being very productive. They are dedicated to making sure that everything that they do has a purpose and that they are contributing to the larger goal. An ESTJ can spend hours upon hours perfecting their work and it is important to them that every task is completed properly.
If an ESTJ is at work, they will spend most of their time at their desk or computer. They are most likely to spend most of their time alone, working on their own projects. They are more likely to be self-motivated and may not need much help or direction from others.
Don Rodrigo is an opera in three acts by Alberto Ginastera, the composer's first opera, to an original Spanish libretto by Alejandro Casona. Ginastera composed the opera on commission from the Municipality of the City of Buenos Aires, Argentina. The first performance was at the Teatro Colón, Buenos Aires, Argentina on 24 July 1964 with Carlo Cossutta in the title role. The production was directed by Jorge Petraglia and conducted by Bruno Bartoletti. On February 22, 1966, Plácido Domingo had his international breakthrough by singing the title role of this opera at the US premiere of the work by the New York City Opera. Other cast members included Jeannine Crader as Florinda, Spiro Malas as Teudiselo, the king's tutor, and David Clatworthy as Don Julian, Florinda's father. Julius Rudel conducted, and the opera received 9 performances at New York City Opera. In November 1967 the production was also given, still with Plácido Domingo, on tour at the Dorothy Chandler Pavilion in Los Angeles.
