Hermann Finsterlin Personality Type, MBTI
What is the personality type of Hermann Finsterlin? Which MBTI personality type best fits? Personality type for Hermann Finsterlin from Architects & Designers and what is the personality traits.
INTJ (5w4)
Hermann Finsterlin personality type is INTJ, based on the Myers-Briggs Type Indicator (MBTI). The MBTI was developed by Katherine Cook Briggs and Isabel Briggs Myers. The MBTI is used to help determine how people use information, make decisions, and perceive the world. It was first published in 1939.
MBTI’s four letter code is identified as one of sixteen personality types. Each personality type is identified by four letters (derived from the Greek alphabet, alpha, beta, gamma, delta) that indicate how that person prefers to use information. Each letter has a preference for one of the four functions of thinking, feeling, perceiving, and judging. So, for example, someone with an INTJ personality type will place emphasis on using their dominant function (introverted thinking) to make decisions and process information. This type is likely to be highly organized, structured, and detail-oriented. They are also likely to be highly intelligent and creative.
MBTI’s four letter code is identified as one of sixteen personality types. Each personality type is identified by four letters (derived from the Greek alphabet, alpha, beta, gamma, delta) that indicate how that person prefers to use information.
Hermann Finsterlin (18 August 1887 – 16 September 1973) was a German visionary architect, painter, poet, essayist, toymaker and composer. He played an influential role in the German expressionist architecture movement of the early 20th century but due to the harsh economic climate realised none of his projects. By 1922, Finsterlin had withdrawn from the circle of expressionist architects as they moved towards the New Objectivity movement, he moved to Stuttgart to concentrate on painting and writing.
Finsterlin was born in Munich. He originally studied medicine, physics and chemistry, and then later, philosophy and painting in Munich. In 1919 he assisted Walter Gropius in organising the "Exhibition for Unknown architects" for the Arbeitsrat für Kunst and contributed to Bruno Taut's Glass Chainletters under the pseudonym Prometh.
