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    Fetty Wap - Trap Queen Personality Type, MBTI

    What is the personality type of Fetty Wap - Trap Queen? Which MBTI personality type best fits? Personality type for Fetty Wap - Trap Queen from 2010s Music and what is the personality traits.

    Fetty Wap - Trap Queen
    ENFJ

    ENFJ (8w7)

    Fetty Wap - Trap Queen personality type is ENFJ, they are the "Missionaries" of the MBTI. The ENFJ type is an idealist who is interested in helping people and making the world a better place. ENFJs are very social creatures and love to be involved in helping others. ENFJs are natural leaders and like to help direct others so they can feel more successful themselves. They are natural motivators who are capable of inspiring others to get things done. ENFJs are also great listeners and are very forgiving of others because they know how hard it is to be kind every day.

    The best thing about ENFJs is that they are very caring and resourceful people. They are very devoted to helping others, which is why they are so good at their jobs. ENFJs have the ability to motivate people by being their voice of reason. As long as there is a good cause for them to get behind, ENFJs will be there to help make it happen. ENFJs are also very generous people who are often willing to help others simply because they care for them. So if you are looking for a type of personality who will go out of their way to help you, check out the personality type of an ENFJ.

    “Trap Queen” is the debut single by American rapper Fetty Wap from his self-titled debut album (2015). Following its online premiere in March 2014, it was released independently on April 22, 2014, before being re-released in conjunction with 300 Entertainment on December 15, 2014.

    Although some writers called it gimmicky, “Trap Queen” was generally well received by contemporary music critics, especially rap critics. In particular, multiple writers praised the song's "infectious" quality. Tom Breihan of Stereogum called it," one of the best out-of-nowhere rap anthems in recent history," noting its "stormy-but-melodic beat" and "naggingly catchy hook". In a particularly positive review for The Guardian, Ben Westhoff called the song "a revelation" that "sounds simultaneously familiar and exotic" and ultimately "succeeds as an oddly touching love story".

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