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    Grouper - Dragging A Dead Deer Up A Hill Personality Type, MBTI

    What is the personality type of Grouper - Dragging A Dead Deer Up A Hill? Which MBTI personality type best fits? Personality type for Grouper - Dragging A Dead Deer Up A Hill from 2000s Music and what is the personality traits.

    Grouper - Dragging A Dead Deer Up A Hill
    INFP

    INFP (4w5)

    Grouper - Dragging A Dead Deer Up A Hill personality type is INFP, which means they shy away from providing too much information about themselves. They generally prefer to act rather than talk. They are sometimes accused of being "shy" or "reclusive". This is because they don't like to talk unless they have something useful to say. They often don't like to talk about themselves to others, but they will often open up if they are close enough to someone to trust them. They can be very sensitive and can be easily hurt by others.

    People who are introverted and extraverted, respectively, are Introversion (Ti) and Extraversion (Te). Introverts tend to focus on the inner world, while extraverts focus on the outer world. These two traits also have a strong connection to a person's personality type.

    The following is an explanation of the three types of Extraverts:

    ENTJ - The Entrepreneur - ENTP - The Thinker

    The Entrepreneur ENTJ Extraverts use their energy and enthusiasm to get things going in new directions. ENTJ Extraverts can get a group moving through their enthusiasm for new ideas and activities. They use their energy and enthusiasm to get things going in new directions.

    Dragging a Dead Deer Up a Hill is the fifth studio album by American musician Liz Harris under the stage name Grouper. It was released on June 10, 2008 on Type Records. The album was later reissued alongside Grouper's The Man Who Died in His Boat in 2013 by Kranky. The cover photograph is of Liz Harris as a child; the photograph was taken by her mother. Mike McGonigal of Pitchfork described Dragging a Dead Deer Up a Hill as "druggy and sexy and arty and pretty, but never pretentious", calling it "an arresting album of pastoral psychedelic pop".[6] In 2018, Pitchfork ranked it at number six on its list of the 30 best dream pop albums.

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