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    Alice Deejay - Better Off Alone Personality Type, MBTI

    What is the personality type of Alice Deejay - Better Off Alone? Which MBTI personality type best fits? Personality type for Alice Deejay - Better Off Alone from 1990s Music and what is the personality traits.

    Alice Deejay - Better Off Alone
    INFJ

    INFJ (2w1)

    Alice Deejay - Better Off Alone personality type is INFJ, while the majority of the world is INTJ. Infj personality types are not always easy to spot in the wild, but there are some subtle signs that can help you recognize if you are INFJ.

    INFJ Personality Type

    The INFJ personality type is one of the rarest personality types, making up only about 1 percent of the population. INFJs are the rarest type of all introverts. INFJs are people who are highly observant of their surroundings and of other people, but they are also highly empathetic to other people's feelings and emotions. INFJs are loyal, devoted, honest, and compassionate. They are great listeners and care deeply about their friends and family. INFJs are not very good at bottling up their emotions, and this often leads to them becoming depressed or hurt. INFJ Personality Type - INFJ Personality Profile - Personality Junkie. INFJ Personality Type is Created by the combination of Extraverted Intuition (Ne) and Introverted Feeling (Fi), which makes them extremely sensitive, intuitive, caring, loyal, sensitive, emotionally expressive and empathic people.

    “Better Off Alone” is a song by Alice Deejay, the trance project of Dutch producer DJ Jurgen in collaboration with Wessel van Diepen, Dennis van den Driesschen, Sebastiaan Moljin and Eelke Kalberg (Pronti & Kalmani). In 1997, the song was released as an instrumental by DJ Jurgen on Violent Records. Later releases of the track included vocals by Judith Pronk, who would later become a seminal part of the Alice Deejay project.

    The song was later included on Alice Deejay's debut album Who Needs Guitars Anyway? (2000). The song is known for playing a key role in the development of the commercial trance sound, and has since been considered an electronic/trance music classic. The song was initially received with passiveness by some critics. Entertainment Weekly gave the song a B rating, describing the song as having "catchy, throwaway results" with "barely there lyrics". In retrospect, the song garnered acclaim, with Vibe magazine considering the song "a timeless track".

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