What is the personality type of Fatboy Slim - The Rockafeller Skank? Which MBTI personality type best fits? Personality type for Fatboy Slim - The Rockafeller Skank from 1990s Music and what is the personality traits.
Fatboy Slim - The Rockafeller Skank personality type is ESTP, the third-named personality type in the MBTI classification system. ESTP is one of the three extraverted and sensing personality types. ESTPs are action-oriented and impulsive, but also conscientious and logical. ESTPs are often the life of the party: outgoing, lively, and with a natural knack for speaking their mind. They love to tell stories and make people laugh, and enjoy seeing the reactions of others. They are also good at making quick decisions, and often have an active lifestyle, which involves reading and writing to keep up-to-date, such as an online blog, or a blog for their chosen lifestyle. "This is how you become rich, buy a lottery ticket and then wait for the jackpot." ESTP actions speak louder than words, so they are often the ones who make things happen. They are not the most patient people, however. ESTPs like to live life on the edge. This means that they can be very spontaneous and impulsive. They don't like to plan ahead, preferring to live in the moment. ESTPs are very good at identifying which activities are fun, exciting and stimulating for them, and may have a particular interest in sports events or social situations, for example.
“The Rockafeller Skank” is a song by English big beat musician and DJ Fatboy Slim. It was released as the lead single from his second studio album, You've Come a Long Way, Baby (1998), on 8 June 1998. The single peaked at number six on the UK Singles Chart in June 1998 and topped the Icelandic Singles Chart for a week the same month and was the second Fatboy Slim single (after “Praise You”) to chart on the US Billboard Hot 100, peaking at number 76.
Larry Flick from Billboard wrote, "Using self-consciously old-school DJ techniques (scratching and repetition of a spoken phrase, dramatic tempo changes), Fatboy Slim has created an organically simple masterpiece. With the accessibility of Beck, the danceability of ska, and the sunny quality of the Beach Boys, the track has a sparse, magnetic beginning that builds in depth and intensity (with the addition of jangly guitar riffs and more complex beats) to a meticulous, frenetic climax. And the wind-down is no less danceable."