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    Chita Rivera - Cell Block Tango Personality Type, MBTI

    What is the personality type of Chita Rivera - Cell Block Tango? Which MBTI personality type best fits? Personality type for Chita Rivera - Cell Block Tango from 1970s Music and what is the personality traits.

    Chita Rivera - Cell Block Tango
    INTJ

    INTJ (8w9)

    Chita Rivera - Cell Block Tango personality type is ENTJ, with some rarer ones.

    The first clue is that both of them are very dominant personalities, more so than "normal" people, who are usually not dominant at all. They are also both extremely intelligent, and can come up with some brilliant plans. And the most obvious clue is the fact that they are both highly competitive, and always want to be the best at everything they do.

    These two are probably the most competitive people on the show. They also tend to be very competitive with each other, which is probably why they're both so obsessed with the game of "Win, Win". Both of them want to win, but Chita is determined to win by any means necessary, while Suzanne plans to win only by the rules; this often leads to conflict between the two. But despite their differences, they both share a passion for power.

    Chita Rivera - Cell Block Tango's Passionate Personality

    Both Chita and Suzanne are passionate people. Chita has an intense passion for power, and will stop at nothing to get it. Suzanne is equally passionate about sex and money-she will stop at nothing to get both of them, and she's even willing to take advantage of her fellow inmates.

    “Cell Block Tango” is a song from the 1975 musical Chicago, with music composed by John Kander and lyrics written by Fred Ebb.

    On Broadway, the song was originally performed by Chita Rivera, with Candy Brown, Cheryl Clark, Graciela Daniele, Michon Peacock and Pamela Sousa. At the Cook County Jail women's annex, six women explain their presence in the jail, all of whom stand accused of killing their significant others. "He had it coming" is a refrain throughout the number, as each think their crime was justified. Each murder suspect is identified with a particular word that punctuates the song: "Pop! Six! Squish! Uh-uh! Cicero! Lipschitz!"

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