What is the personality type of Funkadelic - Maggot Brain? Which MBTI personality type best fits? Personality type for Funkadelic - Maggot Brain from 1970s Music and what is the personality traits.
Funkadelic - Maggot Brain personality type is ENFP, which is one of the more rare and interesting personality types we'll be covering in this series. ENFPs are known as "The Counselor" because they're always offering their unique and unique perspectives on life and their unique perspectives are often spot on.
ENFPs are known as "The Counselor" because they're always offering their unique and unique perspectives on life and their unique perspectives are often spot on. ENFPs are focused on helping others and making the world a better place. They're also known as "the people pleaser" and they're constantly looking for ways to make the world a better place and make their friends and loved ones happy.
They're also known as "the people pleaser" and they're constantly looking for ways to make the world a better place and make their friends and loved ones happy. ENFPs like to be creative and express themselves through writing, music, art, dance, theater, or any other form of creative expression. They're often artistic or creative type personalities that enjoy expressing themselves through the arts.
ENFPs like to be creative and express themselves through writing, music, art, dance, theater, or any other form of creative expression.
Maggot Brain is the third studio album by the American funk band Funkadelic, released by Westbound Records in July 1971. It was produced by band leader George Clinton and recorded at United Sound Systems in Detroit during late 1970 and early 1971. It was the final album recorded by the original Funkadelic lineup; after its release, original members Tawl Ross, Billy Nelson, and Tiki Fulwood left the band for various reasons. The album charted in the R&B Top 20. Today, it is perhaps best known for its 10-minute title track, performed by guitarist Eddie Hazel. In 2003, Rolling Stone included Maggot Brain on its list of the 500 Greatest Albums of All Time. Pitchfork named it the 17th best album of the 1970s.