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    Grateful Dead - Truckin’ Personality Type, MBTI

    What is the personality type of Grateful Dead - Truckin’? Which MBTI personality type best fits? Personality type for Grateful Dead - Truckin’ from 1970s Music and what is the personality traits.

    Grateful Dead - Truckin’
    ISTJ

    ISTJ (9w1)

    Grateful Dead - Truckin’ personality type is ISTJ, which means they are more reserved, serious and traditional. ISTJs tend to be very private and private people. They are good with routine and routine is the key to their life. ISTJs do not like to go against the flow and they dislike chaos and surprises. However, ISTJs can go against the flow and can be very creative and unconventional. ESTP – The ESTP is the most talkative and extroverted of all 8 types. They will tend to be very direct and blunt, perhaps even a little rude. ESTPs tend to be expressive and lively and they enjoy being around people, especially those who are also extroverted. ESTPs may have trouble keeping their emotions under control. They may appear to be erratic and impulsive. ESTPs can be very spontaneous and sometimes this can lead them astray. ESFP – ESFPs tend to be very quick and unpredictable and this sometimes makes them seem like they do not know what they want. They like to be spontaneous and they will often ignore rules and regulations. ESFPs can be spontaneous and intuitive and they often will not be able to follow through on the plans they make.

    “Truckin’” is a song by the Grateful Dead, which first appeared on their 1970 album American Beauty. It was recognized by the United States Library of Congress in 1997 as a national treasure.

    “Truckin’” was considered a "catchy shuffle" by the band members. Garcia commented that "the early stuff we wrote that we tried to set to music was stiff because it wasn't really meant to be sung … the result of [lyricist Robert Hunter getting into our touring world], the better he could write ... and the better we could create music around it." The communal, shared-group-experience feel of the song is brought home by the participation of all four of the group's chief songwriters (Garcia, Weir, Lesh, and Hunter), since, in Phil Lesh's words, "we took our experiences on the road and made it poetry," lyrically and musically. He goes on to say that, "the last chorus defines the band itself."

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