James Brown ft. The J.B.'s - Get Up (I Feel Like Being a) Sex Machine Personality Type, MBTI
What is the personality type of James Brown ft. The J.B.'s - Get Up (I Feel Like Being a) Sex Machine? Which MBTI personality type best fits? Personality type for James Brown ft. The J.B.'s - Get Up (I Feel Like Being a) Sex Machine from 1970s Music and what is the personality traits.
ESFP (XwX)
James Brown ft. The J.B.'s - Get Up (I Feel Like Being a) Sex Machine personality type is ESFP, which is the most amiable type of the 16 personality types. ESFPs have an instinctive amiable approach to life, and love being with people. The ESFP is one of the most "people" types in the Myers-Briggs Type Indicator (MBTI), and is well-suited to careers in the arts, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion, fashion. The ESFP is well-suited for careers in the arts or in creative fields. ESFPs are born entertainers and showrunners. ESFPs are many things - funny, friendly, funny, friendly, funny, friendly, funny, friendly - but they are not lazy or irresponsible. ESFPs are often described as hilarious goofballs. People often describe ESFPs as "loose cannons." Esfp personality type is also called "The Artist" (although this is actually an uncommon type). ESFPs are the type of people who can't sit still. ESFPs are very outgoing and very social.
“Get Up (I Feel Like Being a) Sex Machine” is a song recorded by James Brown with Bobby Byrd on backing vocals. Released as a two-part single in 1970, it was a no. 2 R&B hit and reached no. 15 on the Billboard Hot 100.
"Get Up (I Feel Like Being a) Sex Machine" was one of the first songs Brown recorded with his new band, The J.B.'s. In comparison with Brown's 1960s solo funk hits such as “Papa's Got a Brand New Bag”, the band's inexperienced horn section plays a relatively minor part. Instead, the song centers on the insistent riff played by brothers Bootsy and Catfish Collins on bass and guitar and Jabo Starks on drums, along with the call and response interplay between Brown and Byrd's vocals, which consist mostly of exhortations to "get up / stay on the scene / like a sex machine". During the song's final vocal passages Brown and Byrd started to sing the main hook of Elmore James' blues classic “Shake Your Moneymaker”.
