Led Zeppelin - When the Levee Breaks Personality Type, MBTI
What is the personality type of Led Zeppelin - When the Levee Breaks? Which MBTI personality type best fits? Personality type for Led Zeppelin - When the Levee Breaks from 1970s Music and what is the personality traits.
ESTP (8w7)
Led Zeppelin - When the Levee Breaks personality type is ISFP, or Introverted, Sensing, Feeling, Perceiving. Like all ISFPs, this type is known for their dark and deep emotions. ISFPs usually express their emotions by using very colorful metaphors and images to explain their feelings. They also tend to be quite playful and enjoy the use of clever words and phrases. ISFPs are generally very honest and caring people who want others to enjoy the same sensual and emotional experiences that they do.
Iggy Pop - The Idiot personality type is ISTJ, or ISTJ, or Introverted, Sensing, Thinking, Judging. ISTJs are very serious and practical about their lives and work. They like to keep their emotions in check and will not let them get in the way of their work. They do not like to express their emotions about how they feel about other people or situations. They will usually say what needs to be said rather than express their emotions. ISTJs are usually very good at what they do and receive respect from those around them for their skills and abilities.
Jason Isaacs - The Hero personality type is ESTP, or Extraverted, Sensing, Thinking, Perceiving.
Led Zeppelin recorded “When the Levee Breaks” for their untitled fourth album, commonly known as Led Zeppelin IV. When considering material for the group to record, singer Robert Plant suggested the Kansas Joe McCoy and Memphis Minnie song. Jimmy Page commented that while Plant's lyrics identified with the original, he developed a new guitar riff that set it apart. However, it is John Bonham's drumming that is usually noted as the defining characteristic of the song.
AllMusic critic Stephen Thomas Erlewine, in a retrospective review, commented that the song was the only piece on their fourth album on par with “Stairway to Heaven” and called it, "an apocalyptic slice of urban blues […] as forceful and frightening as Zeppelin ever got, and its seismic rhythms and layered dynamics illustrate why none of their imitators could ever equal them."
