Little Feat - Dixie Chicken Personality Type, MBTI
What is the personality type of Little Feat - Dixie Chicken? Which MBTI personality type best fits? Personality type for Little Feat - Dixie Chicken from 1970s Music and what is the personality traits.
ESFP (6w7)
Little Feat - Dixie Chicken personality type is ESFP, or Extroverted Sensing Feeling Perceiving. In his book, he writes that the Feat is the "most extroverted of all the Feat types". He also writes that the Feat "is essentially a free spirit, having no bounds to its freedom". These are both characteristics of the ESFP.
Swamp Yankee
I did a little research on the Swamp Yankee personality type and compared it to my own intuition of a musician. This is what I found:
Swamp Yankees are "more intuitive, more artistic, and more spontaneous".
They have a "genuine interest in people and the human condition" and are more likely to "seek out new experiences, unconventional paths, and fresh ideas".
Swamp Yankees are "more sensitive to the needs of others" and more likely to "empathize, share their feelings with others, and have a strong desire for harmony". This is more common in the male sex than the female.
The "inner voice" or "intuition" of Swamp Yankees "can give them powerful insights into their circumstances and feelings about themselves".
They tend to be "more naturally intuitive than other Feat types".
Dixie Chicken is the third studio album by the American rock band Little Feat, released in 1973. The artwork for the front cover was by illustrator Neon Park and is a reference to a line from the album's third track, the song “Roll Um Easy”.
The album is considered their landmark album with the title track as their signature song that helped further define the Little Feat sound. This was augmented by two additional members (guitarist Paul Barrere and percussionist Sam Clayton) added to make the more complete and familiar lineup that continued until their 1979 breakup following the death of Lowell George. Bassist Kenny Gradney was brought in to replace original bassist Roy Estrada, who had left after the band's second album Sailin' Shoes to join Captain Beefheart's Magic Band. This new lineup radically altered the band's sound, leaning toward New Orleans R&B/funk.
