Pink Floyd - Time Personality Type, MBTI
What is the personality type of Pink Floyd - Time? Which MBTI personality type best fits? Personality type for Pink Floyd - Time from 1970s Music and what is the personality traits.
INFJ (5w4)
Pink Floyd - Time personality type is INFJ, the potential hero of the world. Their moodiness, introversion and needing to have everything just so can be a bit of a problem for loved ones.
The thing with the INFJ is that they don't just want to be loved, they want to be loved by everyone. They want to be loved by their parents, they want to be loved by their friends. They want to be loved by their siblings, their teachers, their teachers' pets. They want to be loved by everyone. INFJs don't expect to be loved by everyone, but they expect to be loved by some people. It's a bit like wanting to get on with life, but not wanting anyone to get in the way of you doing it. Introverted Intuition (N) tends to become more extroverted Intuition (N) when it comes to giving love, INFJs often get very interested in people and will quickly try and get close to them. They sometimes love people so much that they can even ignore their own real feelings and needs in order to give people what they want. INFJs can be very helpful and kind in this way and can help people with things.
"Time" is a song by English progressive rock band Pink Floyd. It is included as the fourth track on The Dark Side of the Moon (1973) and was released as a single in the United States. Bassist Roger Waters wrote the lyrics, and the music is credited to all four band members. Keyboardist Richard Wright shares lead vocals (his last until "Wearing the Inside Out" on The Division Bell) alongside guitarist David Gilmour.
The lyrics deal with the passage of time – time can slip by, but many people do not realise it until it is too late. Waters got the idea when he realised he was no longer preparing for anything in life, but was right in the middle of it. He has described this realisation taking place at ages 28 and 29 in various interviews. It is noted for its long introductory passage of clocks chiming and alarms ringing, recorded as a quadrophonic test by Alan Parsons, not specifically for the album.
