Queen - Crazy Little Thing Called Love Personality Type, MBTI
What is the personality type of Queen - Crazy Little Thing Called Love? Which MBTI personality type best fits? Personality type for Queen - Crazy Little Thing Called Love from 1970s Music and what is the personality traits.
ENFJ (3w4)
Queen - Crazy Little Thing Called Love personality type is ENFJ, and the function is Extroverted Intuitive.
As an ENFJ, Queen's personality is characterized by their ability to organize and manage large groups of people and detail-oriented thinking. ENFJs are the most sociable of all the types, and this is because they care deeply about people and seeing them happy. Nonetheless, this care for others inevitably puts ENFJs in tough situations, often struggling with their own emotions and desires.
ENFJs tend to be very creative and solution-oriented, and they often find themselves in leadership positions in the workplace. ENFJs are good at managing large amounts of money and resources, and most often end up holding executive roles in large companies.
Because of their idealistic personalities, ENFJs struggle with the realities of life. They may feel like they've failed at something they've put a lot of time and effort into, and this can make them depressed. ENFJs aren't usually very good at expressing what they're feeling, but they can struggle with depression.
ENFJs are natural leaders, but they can struggle with being a victim of their own success.
“Crazy Little Thing Called Love” is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album, Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979, and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks.
The song was written by Mercury as a tribute to Elvis Presley. Roger Taylor added in an interview that Mercury wrote it in just 10 minutes while lounging in a bath in the Bayerischer Hof Hotel in Munich during one of their extensive Munich recording sessions. Mercury took it to the studio shortly after writing it and presented it to Taylor and John Deacon. The three of them, with their then new producer Reinhold Mack, recorded it at Musicland Studios in Munich.
