AC/DC - Back in Black Personality Type, MBTI
What is the personality type of AC/DC - Back in Black? Which MBTI personality type best fits? Personality type for AC/DC - Back in Black from 1980s Music and what is the personality traits.
ISTP (XwX)
AC/DC - Back in Black personality type is ISTP, not ISTJ. Not only is the ISTP's preference for action and concrete facts well-suited to rock music, but he/she is also likely to be attracted to the same qualities in the band members. The ISTP will appreciate the ISTP's rock 'n roll lifestyle, because it will not only make them feel alive, but also give them much needed relief from the rigors of the ISTJ's day job.
What is the relationship like between the ISTP and ISTJ?
These two types are much more likely to get along than the ISTP and ESTJ. The ISTP's open-minded approach to life, coupled with the ESTJ's business-like mentality, often results in a healthy intellectual balance in the relationship. The ISTP will appreciate that the ESTJ is always trying to find ways to improve their lives, while the ESTJ will appreciate that the ISTP is always willing to try new things, even if the results are not always successful.
What is the relationship like between the ISTP and ESTJ?
These two types are much more likely to get along than the ISTP and ESFJ.
“Back in Black” is a song by Australian rock band AC/DC. It was released as the lead single from their seventh album of the same name in 1980 through Atlantic Records. It is notable for its opening guitar riff. The song was written as a tribute to their former singer Bon Scott, who died in February 1980. In 1981, it reached number 37 on the Billboard Hot 100. In 2012, it reached number 65 in Australia and number 27 in the United Kingdom.
In a retrospective piece on “Back in Black”, Metal Hammer magazine hailed the song's riff as one of the greatest riffs ever and wrote, "There are rock songs that appeal to metal fans. And there are metal songs that appeal to rock fans. Then there is Back in Black – a rock and metal song that appeals to everybody, from dads to dudes, to little old ladies beating noisy kids over the heads with their sticks – and it all hangs on that monumental, no-nonsense, three-chord monster of a riff."
