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    David Bowie - Scary Monsters (and Super Creeps) Personality Type, MBTI

    What is the personality type of David Bowie - Scary Monsters (and Super Creeps)? Which MBTI personality type best fits? Personality type for David Bowie - Scary Monsters (and Super Creeps) from 1980s Music and what is the personality traits.

    David Bowie - Scary Monsters (and Super Creeps)
    ISFP

    ISFP (8w9)

    David Bowie - Scary Monsters (and Super Creeps) personality type is ISFP, the artist.

    http://www.personalitypages.com/celebrities/celebrities/isfp-famous-artists.html

    ISFP is the only type that would be in a relationship with Bowie. ISFP is the only type that would be in a relationship with Bowie.

    Subject: Re: The ISFP in the Comics thread: Chapter 5 - The ISFP is in the comics!

    HiveFleet

    Boy O'Boy

    UK

    I love this series! I'm sure with the right comic artist, there would be some great work here.

    Xenon wrote: And the fact that Felicia Day signed on for this series is a testament to that.

    That's what I'm hoping for too! I hope she does a good job!

    The ISFP in the Comics thread: Chapter 5 - The ISFP is in the comics!I love this series! I'm sure with the right comic artist, there would be some great work here.That's what I'm hoping for too! I hope she does a good job!

    “Scary Monsters (and Super Creeps)” is a song by English singer-songwriter David Bowie, released as the title track of his 1980 album of the same name. It was also issued as the third single from that album in January 1981. Coming as it did in the wake of two earlier singles from Scary Monsters, “Ashes to Ashes” in August 1980 and “Fashion” in October the same year, NME critics Roy Carr and Charles Shaar Murray labelled its release another instance "in the fine old tradition of milking albums for as much as they could possibly be worth". The song was subsequently performed on a number of Bowie tours.

    Musically the track was notable for its lead guitar work by Robert Fripp and distinctive synthesized percussion. The lyrics, sung by Bowie in his Cockney accent, charted a woman's withdrawal from the world and descent into madness ("When I looked in her eyes they were blue but nobody home ... Now she's stupid in the street and she can't socialise").

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