Donald Fagen - The Nightfly Personality Type, MBTI
What is the personality type of Donald Fagen - The Nightfly? Which MBTI personality type best fits? Personality type for Donald Fagen - The Nightfly from 1980s Music and what is the personality traits.
INTJ (5w6)
Donald Fagen - The Nightfly personality type is INTJ, as they are often referred as the "architects of your future." They are often very creative and innovative people, and they tend to be very logical and analytical. INTJ's are also very intense and intense, and can be very intense and intense, and intense and intense, and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense. INTJ's are also very intense and intense, and can be very intense and intense, and intense and intense, and intense and intense and intense and intense and intense and intense and intense and intense and intense and intense. INTJ's are also very intense and intense, and can be very intense and intense, and intense and intense, and intense and intense, and intense and intense, and intense, and intense, and intense. INTJ's are also very intense and intense, as INTJ's tend to be very creative people who thoroughly enjoy their jobs. INTJ's tend to be a bit more introverted than extraverted. INTJ's also tend to be more rational than emotional.
The Nightfly is the debut solo studio album by American singer-songwriter Donald Fagen. Produced by Gary Katz, it was released October 1, 1982, by Warner Bros. Records. Fagen was previously best known for his work in the group Steely Dan, with whom he enjoyed a successful career in the 1970s. The band separated in 1981, leading Fagen to pursue a solo career. Although The Nightfly includes a number of production staff and musicians who had played on Steely Dan records, it was Fagen's first release without longtime collaborator Walter Becker.
Unlike most of Fagen's previous work, The Nightfly is almost blatantly autobiographical. Many of the songs relate to the cautiously optimistic mood of his suburban childhood in the late 1950s and early 1960s and incorporate such topics as late-night jazz disc jockeys, fallout shelters, and tropical vacations.
