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    Michael Jackson - Bad Personality Type, MBTI

    What is the personality type of Michael Jackson - Bad? Which MBTI personality type best fits? Personality type for Michael Jackson - Bad from 1980s Music and what is the personality traits.

    Michael Jackson - Bad
    ESTP

    ESTP (9w8)

    Michael Jackson - Bad personality type is ESTP, you're the type of person who will be a jack of all trades but master of none. You'll talk your way out of any situation, but you'll get into more trouble than you can count. You're also known as the "jack of all trades, master of none" type. ESTPs have a hard time saying no to you, and you're the type that will talk your way out of any situation. You're also known as the "jack of all trades, master of none" type. ESTPs have a hard time saying no to you, and you're the type that will talk your way out of any situation. You're probably not the most thoughtful person on the planet, but you're always ready to go at a moment's notice, and are constantly thinking up new ideas. You're probably not the most thoughtful person on the planet, but you're always ready to go at a moment's notice, and are constantly thinking up new ideas. As far as your character goes, you're not the most stable person in the world, but you can't help yourself. You like to do things your own way and are very spontaneous.

    Bad is the seventh studio album by American singer Michael Jackson. It was released on August 31, 1987, by Epic Records, nearly five years after Jackson's previous album, Thriller (1982). It was also written and recorded in nearly a year, and was the third and final collaboration between Jackson and producer Quincy Jones. Jackson co-produced it and composed all but two tracks. Vocally, Jackson moved away from his trademark groove sound and high-pitched vocals. Instead, Bad's edgier sound incorporates pop, rock, funk, R&B, dance, soul and hard rock. Jackson experimented with modern technology, including digital synthesizers and drum machines, resulting in a sleeker and more aggressive sound on the album. Lyrical themes include media bias, paranoia, racial profiling, romance, self-improvement, and world peace. The album features appearances from Siedah Garrett and Stevie Wonder.

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