What is the personality type of Queen - It's a Hard Life? Which MBTI personality type best fits? Personality type for Queen - It's a Hard Life from 1980s Music and what is the personality traits.
Queen - It's a Hard Life personality type is ISFP, the artist, who is best known for creating the game of chess. ISFPs are natural artists. They are sensitive and creative, and tend to be quite private, but they are also deeply caring for those close to them. They are idealistic and genuinely believe that they can make life better for others. They are often reluctant to take on authority roles, but when they do, they excel. They are the ones who always seem to be doing good things for others. When they are unable to act on their own visions, they tend to become quite depressed.
ISFPs are often introverted (I) and intuitive (S). They like to use their imagination and intuition to find answers to the world around them. Because of this, they can often become confused by the complexity of the world around them. They try to figure things out by using their own intuition, which can lead to feelings of confusion and disorientation. When this happens, it is important to reorient yourself. The ISFP personality type is often confused because it is so complex. This can cause them to become depressed or feel overwhelmed.
The ISFP personality type is often misunderstood because of their frequently contradictory nature.
“It's a Hard Life” is a song by the British rock band Queen, written by lead singer Freddie Mercury. It was featured on their 1984 album The Works, and it was the third single from that album. It reached number 6 in the UK Singles Chart and was their third consecutive Top 10 single from the album. It also reached number 2 in Ireland and number 20 in the Netherlands. It also came 19th in a poll, The Nation's Favourite Queen Song broadcast on ITV on 11 November 2014.
Musically, the song recreates the feel of “Play the Game” in order to update the story, utilising Mercury's piano playing and the band's characteristic technique of layered harmonies. It is recorded very much with the ethos of earlier Queen albums in that it features, "no synthesizers". By that time the band had been using synths on record since 1980's The Game and the gesture of returning to the traditional Queen sound was comforting to some fans.