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    Talking Heads - Burning Down the House Personality Type, MBTI

    What is the personality type of Talking Heads - Burning Down the House? Which MBTI personality type best fits? Personality type for Talking Heads - Burning Down the House from 1980s Music and what is the personality traits.

    Talking Heads - Burning Down the House
    ENTP

    ENTP (8w7)

    Talking Heads - Burning Down the House personality type is ENTP, which means that they are future-oriented, independent, and inclined to live in the moment. The ENTP personality type is one that is constantly seeking new experiences, and constantly searching for ways to improve their lives. They are observant and analytical in nature, and often look for opportunities in which they can take control of their own lives. Because of this they tend to be very self-confident and can sometimes feel like they know it all. They want to be able to make their own decisions, and are often impatient with others who don't seem to be able to do the same thing they can.

    Because ENTPs are so independent, they often find it difficult to relate to others. This can cause them to feel isolated and lonely, or it can cause them to feel like they are constantly doing things on their own. They may even be accused of being selfish or shallow, because people don't understand that they are just trying to live how they see best.

    The ENTP personality type is a future-orientated one, meaning that they tend to have a vision of what will happen in the future.

    “Burning Down the House” is a song by new wave band Talking Heads, released in July 1983 as the first single from their fifth studio album Speaking in Tongues.

    The initial lyrics were considerably different, however. In an interview on NPR's All Things Considered aired on December 2, 1984, David Byrne played excerpts of early worktapes showing how the song had evolved from an instrumental jam by Weymouth and Frantz. Once the whole band had reworked the groove into something resembling the final recording, Byrne began chanting and singing nonsense syllables over the music until he arrived at phrasing that fit with the rhythms—a technique influenced by former Talking Heads producer Brian Eno: "and then I [would] just write words to fit that phrasing... I'd have loads and loads of phrases collected that I thought thematically had something to do with one another, and I'd pick from those."

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