Talking Heads - Once in a Lifetime Personality Type, MBTI
What is the personality type of Talking Heads - Once in a Lifetime? Which MBTI personality type best fits? Personality type for Talking Heads - Once in a Lifetime from 1980s Music and what is the personality traits.
INTJ (3w4)
Talking Heads - Once in a Lifetime personality type is INTJ, introverted, intuitive, thinking, judging. Thinkers of this type are very logical and analytical, and tend to have a very deep interest in the world of ideas. They are not prone to being overly emotional, but they are extremely passionate about what they believe in. They have a deep appreciation of beauty and art. They are natural leaders, and are typically very good at understanding people and relating to people.
Pink Floyd - INFJ, introverted, intuitive, thinking, judging. These are the quiet types of the world, they are extremely sensitive to their environment. They are very creative, but are not particularly spontaneous. They are deep thinkers, but are often misunderstood because they often don't seem to be very engaging or open with others. They are naturally caring and compassionate individuals who prefer to see the good in everyone.
Prince - INFP, introverted, intuitive, feeling, perceiving. These individuals are not particularly focused on material things or money. They are rather spiritual, idealistic, and relate to people through compassion rather than force. They seek out spiritual experiences in life, rather than material things. They are deeply sensitive to what is happening around them, and are deeply emotional.
“Once in a Lifetime” is a song by the American rock band Talking Heads, produced and cowritten by Brian Eno. The lead single from Talking Heads' fourth studio album, Remain in Light (1980), it was released on February 2, 1981, through Sire Records.
The music video was choreographed by Toni Basil and co-directed with Byrne. They studied archive footage of "preachers, evangelists, people in trances, African tribes, Japanese religious sects" to see how Byrne could incorporate them into his performance. Televangelist Ernest Angley was another inspiration. According to Basil, "David kind of choreographed himself. I set up the camera, put him in front of it, and asked him to absorb those ideas. Then I left the room so he could be alone with himself. I came back, looked at the videotape, and we chose physical moves that worked with the music. I just helped to stylize his moves a little."
