The Human League - Don't You Want Me Personality Type, MBTI
What is the personality type of The Human League - Don't You Want Me? Which MBTI personality type best fits? Personality type for The Human League - Don't You Want Me from 1980s Music and what is the personality traits.
ISFP (4w3)
The Human League - Don't You Want Me personality type is ISFP, with a secondary of INFP.
Because ISFP is a variation of ISFJ and ISFJ is a variation of ISFP, some people think that ISFP is the same as ISFJ. But while ISFP and ISFJ share a lot of similarities, they are still quite different in fact and function.
They both feel more comfortable around friends and family than strangers, and they both put a lot of emphasis on the people they know and the connections they have. They both defer to authority figures and take things literally.
ISFPs are less outgoing than ISFJs, and tend to be more private and sensitive, but they also have a lot of compassion. ISFPs are not shy around strangers, but they do not make a habit of going out of their way to meet them.
ISFPs tend to be more spontaneous and less controlled in their actions, which can make them appealing to others, but they can sometimes make themselves come across as impulsive and immature.
“Don't You Want Me” is a single by British synthpop group the Human League (credited on the cover as The Human League 100). It was released on 27 November 1981 as the fourth single from their third studio album Dare (1981). The band's best known and most commercially successful song, it was the biggest selling UK single of 1981,nthat year's Christmas number one, and has since sold over 1,560,000 copies in the UK, making it the 23rd-most successful single in UK Singles Chart history.nIt topped the Billboard Hot 100 in the US on 3 July 1982, where it stayed for three weeks.
Today, the song is widely considered a classic of its era. In a retrospective review, Stephen Thomas Erlewine, senior editor for AllMusic, described the song as, "a devastating chronicle of a frayed romance wrapped in the greatest pop hooks and production of its year." Fellow new wave musician Graham Parker praised the song, saying, "I just love that catchy chorus."
