Bob Dylan - Blonde On Blonde Personality Type, MBTI
What is the personality type of Bob Dylan - Blonde On Blonde? Which MBTI personality type best fits? Personality type for Bob Dylan - Blonde On Blonde from 1960s Music and what is the personality traits.
ISFP (4w3)
Bob Dylan - Blonde On Blonde personality type is ISFP, although he has more in common with the INFJ personality type. The song, “Sad Eyed Lady Of The Lowlands” is an excellent example of the ISFP personality type.
Jazz - Music is a strong influence on the ISFP personality type. The ISFP personality type is an excellent musician. They are able to express their feelings through music.
Jackson Pollock - ISFP personality type is very similar to the Jackson Pollock personality type.
James Dean - The ISFP personality type is very similar to the James Dean personality type.
James Taylor - The ISFP personality type is very similar to the James Taylor personality type.
James Woods - The ISFP personality type is very similar to the James Woods personality type.
Jane Fonda - ISFP personality type is very similar to the Jane Fonda personality type.
Janet Leigh - ISFP personality type is very similar to the Janet Leigh personality type.
Janis Joplin - ISFP personality type is very similar to the Janis Joplin personality type.
Jason Bateman - ISTP and ISFP personality types are very similar to Jason Bateman.
Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on June 20, 1966 by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know (Sooner or Later)". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded. Blonde on Blonde completed the trilogy of rock albums that Dylan recorded in 1965 and 1966, starting with Bringing It All Back Home and Highway 61 Revisited. Critics often rank Blonde on Blonde as one of the greatest albums of all time.
