Gal Costa - Gal Costa Personality Type, MBTI
What is the personality type of Gal Costa - Gal Costa? Which MBTI personality type best fits? Personality type for Gal Costa - Gal Costa from 1960s Music and what is the personality traits.
ENFP (7w6)
Gal Costa - Gal Costa personality type is ENFP, which includes the following functions:
Introverted Feeling - Feeling is extroverted in Gal Costa. She is in touch with her own emotions, and she feels things deeply. She is easily moved by the people she loves, and she has a strong desire to take care of others.
Extraverted Intuition - Gal Costa's primary function is Extraverted Intuition. She uses it to grasp the big picture, understand people, predict trends, and come up with creative solutions. She is good at seeing the big picture, understanding what is happening in the world, and she sees what needs to be done to make things better.
Introverted Sensing - Her secondary function is Introverted Sensing, which she uses to take care of herself and others. She is sensitive to her own physical needs, and she knows how to make sure she is eating well, getting enough rest, and getting enough exercise. She is aware of how her body and mind are working and can make changes to make things better.
Extraverted Feeling - Her tertiary function is Extraverted Feeling. She uses this function to connect with others and to make decisions based on her values and principles.
Gal Costa is the first solo album by the Brazilian singer Gal Costa, released in 1969. It was ranked the 80th best Brazilian album of all time by the Brazilian Rolling Stone magazine. Considered one of the most representative records of the countercultural Tropicália movement, the album features songwriting by various artist associated with the movement, with whom Costa had previously worked with in the 1968 collaboration album Tropicália: ou Panis et Circencis. These include Caetano Veloso, Gilberto Gil and Torquato Neto. The music in the album has been considered unprecedented. It represents a strong departure from the style of Domingo, her debut album recorded with Caetano Veloso, which featured a "set of airy, somewhat standard bossa nova tunes". Writing for Brazilian edition of Rolling Stone, Marcus Petro considered that, despite incorporating new influences from Janis Joplin and James Brown, Costa's music still retained strong bossa nova elements.
