Jefferson Airplane - Somebody to Love Personality Type, MBTI
What is the personality type of Jefferson Airplane - Somebody to Love? Which MBTI personality type best fits? Personality type for Jefferson Airplane - Somebody to Love from 1960s Music and what is the personality traits.
INFP (4w5)
Jefferson Airplane - Somebody to Love personality type is INFP, which means that they are the most introverted of all the 16 personality types. They are also the only type that takes the NF “Ne” as its first letter. They are, in fact, the rarest type of all, with an estimated prevalence rate of only 1% in the general population. In some popular movies and television shows, they are often portrayed as being mentally unstable and frequently portrayed as being quirky individuals.
One of my favorite examples of this is from the 1980s TV show “The Facts of Life”. The main character Jo was an INFP with a strong Se (introverted sensing) and Fe (introverted feeling). As the series progressed, we learned that she was the center of life for her neighborhood and much of their community. She was not just a quirky individual, she lived life to its fullest, with a strong awareness of her surroundings. There were a lot of INFPs who played Jo over the years.
INFP – The Under-Appreciated Introvert
INFP’s are often stereotyped as being shy and socially awkward. This is an unfortunate image for this type, as it is actually quite inaccurate.
“Somebody to Love” (originally titled “Someone to Love”) is a rock song that was written by Darby Slick. It was originally recorded by the Great Society, and later by Jefferson Airplane. Rolling Stone magazine ranked Jefferson Airplane's version No. 274 on their list of the 500 Greatest Songs of All Time.
Billboard described the song as a, "wild dance number loaded with vocal excitement," calling it a, "hard driver, featuring powerful female vocal in the lead [which] never stops from start to finish." Brett Milano of udiscovermusic.com rated Jorma Kaukonen's psychedelic guitar solo at the end of the song as one of the 100 all-time greatest, stating that it opens, "with those three sustained wailing notes and [closes] with those sign-off chords that leave the song forever unresolved."
