The Beatles - Yellow Submarine Personality Type, MBTI
What is the personality type of The Beatles - Yellow Submarine? Which MBTI personality type best fits? Personality type for The Beatles - Yellow Submarine from 1960s Music and what is the personality traits.
ENFP (7w6)
The Beatles - Yellow Submarine personality type is ENFP, the most common type in the world. The interesting thing about ENFPs is that they are often mistaken for INFPs. This is because both types are introverted, extraverted, and perceiving.
The ENFP is one of the rarest personality types in the world. They are sometimes described as the "chameleons" of the MBTI, because they can change their personality type to match their environment. ENFPs are often misdiagnosed as INFPs, because they can be very similar in their actions and motivations.
Extraversion
ENFPs are the most extraverted of all personality types! They are often described as having a very big smile and a very outgoing personality. When they step into a room, they immediately make a huge impact on the people around them. They have a very high energy level and feel most alive when they are surrounded by people.
Introversion
In contrast to their outwardly extroverted nature, ENFPs can also be very introverted. They feel comfortable in their own company, but will often retreat into their own thoughts if they feel overwhelmed or distracted by the outside world.
Yellow Submarine is a 1968 British animated musical fantasy film inspired by the music of the Beatles, directed by animation producer George Dunning, and produced by United Artists and King Features Syndicate. Initial press reports stated that the Beatles themselves would provide their own character voices. However, aside from composing and performing the songs, the real Beatles participated only in the closing scene of the film, while their cartoon counterparts were voiced by other actors. The film received widespread acclaim from critics and audiences alike, in contrast to some of the Beatles' previous film ventures. Pixar co-founder and former chief creative officer John Lasseter has credited the film with bringing more interest in animation as a serious art form. Time commented that it "turned into a smash hit, delighting adolescents and aesthetes alike". Half a century after its release, it is still regarded as a landmark of animation.
