Gu Yun Personality Type, MBTI
What is the personality type of Gu Yun? Which MBTI personality type best fits? Personality type for Gu Yun from Sha Po Lang and what is the personality traits.
ENTP (7w8)
Gu Yun personality type is ENTP, but she is determined to be a good person, and because she is INTP, she does not believe she can be a completely objective person. She believes that no one is entirely good or evil, and she tries to see the beauty in everyone. Because of this, she has twice tried to kill herself. Because so much of her life is spent in solitude, she has very few friends. Lin Gu Yun still has not found anyone with whom she can share the private thoughts so she keeps them to herself. She does not want to be seen as someone who might be chosen to lead the group.
The one thing that worries her most is not being able to find a husband. It is possible for an INTP to become infertile, but even if she doesn’t have children, she wants to have someone who can be close to her. She does want children, but she wants to be able to decide when she wants to have them. The INTP in her believes that people should be treated like individuals, not like parts in a machine. Hence, in order to be near her, she needs to feel like they are intimate friends in the same way that the INTP in her is close to her.
Gu Yun Chinese: trad. char. 顧沄, simpl. char.顾沄; Wade–Giles: Ku Yün, pinyin: Gù Yún, was a Chinese master landscape artist. His courtesy name was Ruopo. His pen name was Yunhu. Gu was a native of the cultural mecca of Suzhou, but eventually joined the community of artists in Shanghai. He must have had access to local collections of old masters because his paintings show a mastery of classical themes. His paintings clearly show a profound respect for and influence from 17th century academic masters such as the "Four Wangs" and others. Gu's works are noted for the distinctive use of ink tones, although some criticized his work as lacking in vitality. He traveled to Japan in 1888 where he sojourned at the official Qing Embassy. On his journey to Kyoto, Gu nearly forced by a flood to remain at Nagoya. This was a loss for Japanese art that happened in 1889.
