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    Alfredo Volpi Personality Type, MBTI

    What is the personality type of Alfredo Volpi? Which MBTI personality type best fits? Personality type for Alfredo Volpi from Artists and what is the personality traits.

    Alfredo Volpi
    INFJ

    INFJ (4w3)

    Alfredo Volpi personality type is INFJ, classic.

    In this personality type, extroversion and introversion are equally balanced.

    The INFJ personality type has a “dual process” of perception and intuition.

    INFJs’ perception is vivid and realistic, and their intuition is mysterious and deep.

    INFJs are highly creative and logical people, who are excellent at seeing the big picture.

    They are genuinely interested in helping others. INFJs are very compassionate people with a strong sense of compassion.

    They enjoy helping people, and they place the utmost importance on the welfare of others.

    They are also highly empathetic people. They can read the emotions of others, and they are good at identifying the emotional needs of others.

    INFJs are strongly motivated to help others, and they are excellent listeners.

    They are very good listeners, and they are very interested in hearing others’ stories. They are also good listeners because they are genuinely interested in helping others.

    They do not like to feel that they are not giving enough, and they feel great stress when they feel that they are not giving enough to others.

    Alfredo Volpi (April 14, 1896 – May 28, 1988), was a prominent painter of the artistic and cultural Brazilian modernist movement. He was born in Lucca, Italy but, less than two years later, he was brought by his parents to São Paulo, Brazil, became a Brazilian citizen, and lived for the majority of his life. Volpi was a self-taught painter, producing his first naturalist painting in 1914 at the age of twelve. Although his first paintings could resemble, in some way, those of expressionist artists, (an early influence was the Brazilian landscape painter Ernesto de Fiori). Mogi das Cruzes, a landscape painted for a patron in 1939, is a represetative work of this period. He soon focused into a most peculiar style, using geometric abstract forms and switching from oil paint to tempera. His use of the ancient tempera technique also shows a knowledge of the Italian Renaissance painters.

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