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    Anita Malfatti Personality Type, MBTI

    What is the personality type of Anita Malfatti? Which MBTI personality type best fits? Personality type for Anita Malfatti from Artists and what is the personality traits.

    Anita Malfatti
    ENFP

    ENFP (4w3)

    Anita Malfatti personality type is ENFP, which means she is a Guardian.

    ENFPs are people who want their lives to be about more than just them. They do not like to be the center of attention. They may not want to be a star, but they want their life to be about something. ENFPs do not like to be the center of the universe. They want their life to have a purpose and meaning. That purpose and meaning can be found in their work, in their relationships and in their environment. ENFPs like to find ways to make their lives related and important. They like to find ways to make their lives significant and worthwhile. ENFPs like to make a difference in the lives of others, but they also like making a difference in the world at large. ENFPs want to make their lives and environment meaningful and important.

    ENFPs want to make a difference in the world because it makes them feel significant. Their lives are full of significance, but they want it to be more than just themselves. They want to make a difference in the world for the sake of making a difference and not just because it is the path of least resistance. For ENFPs, making a difference is important and meaningful.

    Anita Catarina Malfatti (December 2, 1889 – November 6, 1964) is heralded as the first Brazilian artist to introduce European and American forms of Modernism to Brazil. Her solo exhibition in Sao Paulo, from 1917–1918, was controversial at the time, and her expressionist style and subject were revolutionary for the complacently old-fashioned art expectations of Brazilians who were searching for a national identity in art, but who were not prepared for the influences Malfatti would bring to the country. Malfatti's presence was also highly felt during the Week of Modern Art (Semana de Arte Moderna) in 1922, where she and the Group of Five made huge revolutionary changes in the structure and response to modern art in Brazil.

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