Massao Ohno Personality Type, MBTI
What is the personality type of Massao Ohno? Which MBTI personality type best fits? Personality type for Massao Ohno from Artists and what is the personality traits.
ISTP (6w5)
Massao Ohno personality type is ISTP, who is also an excellent representative of the ISTP type.
The basic nature of this type may be described as being carefree, bohemian, individualistic, independent, original, calm, reasonable, intuitive, creative, flexible, receptive, sympathetic, flexible, etc.
This type has no trouble working in teams, but prefers to work alone.
While this type is not introverted or extroverted, it is not very sociable. The introverted side of their personality is dominant, while their extroverted characteristics are strong.
They are usually at ease in only one place at a time, or with people they know well.
This type is very good at sensing their environment and making decisions quickly.
This type is very adaptable. Their dominant function is Extraverted Thinking. This means that their dominant function is the process of gathering information from the environment by observing it and evaluating it.
They can also evaluate their own ideas and understand how they work.
This type prefers to think things through before acting. Their dominant function is Extraverted Thinking. This means that their dominant function is the process of gathering information from the environment by observing it and evaluating it.
Massao Ohno (São Paulo, February 13, 1936 - Sorocaba, June 11, 2010) was a Brazilian editor, graphic artist and cultural agitator. Son of Japanese immigrants, his father was a military man in Tokyo and his mother was from Hiroshima, being the youngest of nine brothers. He graduated in dentistry at USP, an activity he exercised for a short period, and soon afterwards devoted himself entirely to the production of books. He married four times, had four children and seven grandchildren. For five decades he was one of the leading independent publishers in Brazil, much more as an artist of the book than as an entrepreneur. He was considered by specialists, like the bibliophile José Mindlin, as one of the main Brazilian graphic artists of the book, having innovated in formats, use of papers and special cuts, in meticulous and handmade work. He was one of the modernizers of graphic editing in the country, which until then had a somewhat academic aspect.
