Michelangelo Caravaggio Personality Type, MBTI
What is the personality type of Michelangelo Caravaggio? Which MBTI personality type best fits? Personality type for Michelangelo Caravaggio from Artists and what is the personality traits.
ISFP (4w3)
Michelangelo Caravaggio personality type is ISFP, ISFPs are most often idealists, often struggling with their own private issues and inner demons. ISFPs often have a hard time making friends, as they are shy and reserved, but once they make a friend, they can be loyal and faithful for life. ISFPs typically have a difficult time with their emotions, especially with their sexuality. They often struggle with their own sexuality but still have a strong sexual drive.
Caravaggio is a very shy and reserved character, and is very private about his past. He has a hard time talking about his personal life, and he tries to keep as much as he can to himself. He is also very loyal to those he cares about. His emotions are not as easy to read as others, as he is very private. However, his emotions are present and very strong, as they are how he expresses himself.
Caravaggio is also very loyal and loving to those he cares about. He is very protective of those he cares about, and will do whatever it takes to help them. He loves the ones he cares about and would do anything for them, including putting himself in danger to protect them.
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio (28 September 1571 – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610. His paintings combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, darkening shadows and transfixing subjects in bright shafts of light. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture and death. He worked rapidly, with live models, preferring to forgo drawings and work directly onto the canvas.
