Cabiria Personality Type, MBTI
What is the personality type of Cabiria? Which MBTI personality type best fits? Personality type for Cabiria from Angels Friends 2008 and what is the personality traits.
ISTP (8w9)
Cabiria personality type is ISTP, while the ISTP personality type is the most common active of all the types. The ISTP personality type according to the Myers-Briggs Type Indicator (MBTI) is an individual who is quite independent, somewhat reserved, spontaneous and decisive. ISTP personality types are usually an inspiration for their surroundings and are very practical. ISTPs are driven by their desires, rather than by external influences. They love freedom and enjoy doing what they want to do in life. ISTPs are excellent planners, rational minds who are also more interested in doing things than thinking about it. They are rarely afraid of new ideas, but they can be very sceptical and they dislike being controlled. They can be very precise and they are quite independent, but they are often indecisive, which makes them very impractical in many situations.
In the workplace, ISTPs work best in a team environment, where they can display their original ideas and their resourcefulness. They need to be able to have some freedom and be allowed to do their own thing. They also like to have some space for thinking and are usually good at solving complex problems. They find it hard to follow instructions and can often be rude, but they can be good at solving interpersonal problems.
Cabiria is a 1914 Italian epic silent film, directed by Giovanni Pastrone and shot in Turin. The film is set in ancient Sicily, Carthage, and Cirta during the period of the Second Punic War. It follows a melodramatic main plot about an abducted little girl, Cabiria, and features an eruption of Mount Etna, heinous religious rituals in Carthage, the alpine trek of Hannibal, Archimedes' defeat of the Roman fleet at the Siege of Syracuse and Scipio maneuvering in North Africa. Apart from being a classic on its own terms, the film is also notable for being the first film in which the long-running film character Maciste makes his debut. According to Martin Scorsese, in this work Pastrone invented the epic movie and deserves credit for many of the innovations often attributed to D.W. Griffith and Cecil B. DeMille. Among those was the extensive use of a moving camera, thus freeing the feature-length narrative film from "static gaze".
