Classical Guitar Personality Type, MBTI
What is the personality type of Classical Guitar? Which MBTI personality type best fits? Personality type for Classical Guitar from Musical Instruments and what is the personality traits.
ESFJ (2w3)
Classical Guitar personality type is ESFJ, and it's the most common personality type of Classical Guitar players. Being an ESFJ means you are a caring, loyal and warm person who loves to provide for others and feel needed. The ESFJ personality type is often described as "the people's person" and "bossy". ESFJs are welcoming and warm towards everyone and their first concern is other people's welfare and happiness. They are very good at making friends and will strive to make others feel comfortable and at ease. ESFJs will go out of their way to help and support others and will be very tolerant and understanding of other people. They like to be helpful and like to make other people feel good about themselves. ESFJs are often labelled as the "people pleaser" or as "bossy" by those who don't understand them as this personality type often appears as such as it's the most common personality type of Classical Guitar players.
Although ESFJ types are warm, friendly people, they have a self-sacrificing side. They have a strong sense of responsibility and take on a lot of responsibility for others.
The classical guitar is a member of the guitar family used in classical music. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars are derived from the Spanish vihuela and gittern in the fifteenth and sixteenth century, which later evolved into the seventeenth and eighteenth-century Baroque guitar and later the modern classical guitar in the mid-nineteenth century. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole. However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The left leg is typically held higher by the use of a footstool.
