Jonathan Strange Personality Type, MBTI
What is the personality type of Jonathan Strange? Which MBTI personality type best fits? Personality type for Jonathan Strange from Jonathan Strange & Mr Norrell and what is the personality traits.
ENFP (7w8)
Jonathan Strange personality type is ENFP, or extroverted, intuitive, feeling, and perceptual. This type is most often described as “charming,” but that’s not always the impression the person with this type gives. ENFPs can be very outgoing and witty, but they are also very sensitive and open to the ideas of others. They are often quick to jump into new projects and ideas with enthusiasm, but sometimes ENFPs can come across as blind to the ideas of others.
ENFPs can be very creative and innovative. They are also very empathetic and kind-hearted, which can lead them to be good at helping others. However, they can be a little too trusting and focused on their own ideas or projects, which can make it difficult for them to stay on task and follow through on their plans.
ENFP personality types are not all keen on following rules, and they often enjoy experimenting and discovering new things. They might even become bored with their jobs or hobbies too easily. ENFPs can sometimes lack a sense of direction, which can make it difficult for them to stay focused on a task for a long time.
Jonathan Strange & Mr Norrell is the debut novel by British writer Susanna Clarke. Published in 2004, it is an alternative history set in 19th-century England around the time of the Napoleonic Wars. Its premise is that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centred on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundaries between reason and unreason, Anglo-Saxon and Anglo-Dane, and Northern and Southern English cultural tropes/stereotypes. It has been described as a fantasy novel, an alternative history, and a historical novel. It inverts the Industrial Revolution conception of the North–South divide in England: in this book the North is romantic and magical, rather than rational and concrete. The narrative draws on various Romantic literary traditions, such as the comedy of manners, the Gothic tale, and the Byronic hero.
