Lana Tisdel Personality Type, MBTI
What is the personality type of Lana Tisdel? Which MBTI personality type best fits? Personality type for Lana Tisdel from Boys Dont Cry 1999 and what is the personality traits.
ISFP (4w5)
Lana Tisdel personality type is ISFP, which means that they are introverted, sensing, feeling, and perceiving.
This type of person is extremely creative, artistic, and gifted in many areas. They may be introverted because they spend a lot of time in their own minds, but they can also be extroverted when they want to be.
ISFPs are very loyal to the people they love. They are also often very good listeners (or at least they like to think so).
They are generally very sensitive when it comes to the feelings of others. ISFPs are often very good at understanding what others are thinking and feeling.
Their emotions are deep and complex, and if they think something is wrong, they will usually try to figure out exactly what it is.
ISFPs live in the moment, and they don't like to dwell on the past or speculate about anything that is still in the future. They are very present in the moment with everything that is happening around them. They can also be very perceptive about other people's emotions, so they can often spot when others need help or support.
They are generally very caring people who want to help others whenever possible.
Lana M. Tisdel is an American woman whose early life and involvement with the December 1993 murders of Brandon Teena, Lisa Lambert and Phillip DeVine was chronicled in the 1998 documentary The Brandon Teena Story and the 1999 film Boys Don't Cry. She was portrayed in the film by Chloë Sevigny, who was nominated for an Academy Award for her performance. The director of the film, Kimberly Peirce, worked on the script for many years and interviewed Lana and her mother for details on their life. Peirce also drew information from other sources including All She Wanted by Aphrodite Jones, a biography of Brandon Teena and the lives of those involved with the murders; and a 1994 Village Voice piece written by Donna Minkowitz which was responsible for the story becoming a media sensation in the early 1990s.
