Carl Philipp Emanuel Bach Personality Type, MBTI
What is the personality type of Carl Philipp Emanuel Bach? Which MBTI personality type best fits? Personality type for Carl Philipp Emanuel Bach from Classical and what is the personality traits.
ISTJ (1w9)
Carl Philipp Emanuel Bach personality type is ISTJ, which is the most common personality type. ISTJs are described by the "Big Five" personality traits:
Extroversion (E) Introversion (I) Sensing (S) Thinking (T) Judging (J)
Extroverts are more driven by their emotions than their logical mind, so they are driven to seek new experiences for the sake of seeking new experiences. Introverts are driven by their logic for the purpose of getting things done, so they are driven to get things done efficiently. Sensors are more likely to be introverted than extroverted. They are more concerned with facts, accuracy, and details than with feelings, emotions, and ideas. They seek to understand rather than to talk. Thinkers prefer to make judgments based on logic and reason rather than on feelings or impressions. They take more time to make decisions and prefer to use objective information rather than subjective information in making decisions. Judgers prefer to make decisions based on facts and figures rather than based on what they personally want.
My article on Bach's music provides more information about his personality type.
Carl Philipp Emanuel Bach, also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German Classical period musician and composer, the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. His second name was in honor of his godfather Georg Philipp Telemann, a friend of Johann Sebastian Bach. C. P. E. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. His personal approach, an expressive and often turbulent one known as empfindsamer Stil or 'sensitive style', applied the principles of rhetoric and drama to musical structures. His dynamism stands in deliberate contrast to the more mannered galant style also then in vogue.
