Christoph Willibald Von Gluck Personality Type, MBTI
What is the personality type of Christoph Willibald Von Gluck? Which MBTI personality type best fits? Personality type for Christoph Willibald Von Gluck from Classical and what is the personality traits.
ESFP (6w7)
Christoph Willibald Von Gluck personality type is ESFP, who are extroverted, sociable, action-oriented, charismatic, enthusiastic, joyful, enthusiastic, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive, friendly, expressive.
The second type of Gluck is ISTJ, who are introverted, style-conscious, realistic, practical, orderly, cautious, skeptical , analytical , logical , straightforward , reserved , analytical , logical , straightforward , reserved , analytical , logical , straightforward , reserved , analytical , logical , straightforward , reserved , analytical , logical , straightforward , reserved .
The third type of Gluck is ISFJ. They are introverted, gentle, kind-hearted, caring, responsible, loyal , predictable , trustworthy .
The fourth type of Gluck is ESFJ. They are extroverted, outgoing, congenial, social, pleasant-natured, amiable , warm-hearted , affable .
The fifth type of Gluck is ESTJ. They are extroverted, decisive-natured, exacting, rule-oriented.
Christoph Willibald (Ritter von) Gluck (German: [ˈkʁɪstɔf ˈvɪlɪbalt ˈɡlʊk]; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia,[1] both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century. Gluck introduced more drama by using simpler recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera.
